If you grew up in Canada — within the last forty years — you would know who this character is. His name is Bill Leeb, and he was one of the founding members of Skinny Puppy. Early on, he spun off his own side-projects, Front Line Assembly and Delerium.
The Canadian music scene in the 1980s was as dreary as the American status-quo, and not too much different. Teenagers generally listened to Loverboy or Rush, along with typical American metal bands like Cinderella and Ratt. Everything on the radio was boring, and it all sounded the same.
In the America of the mid 1980s, bands like Soundgarden, Alice In Chains, and Mudhoney started emerging in the Seattle area. Much of the allure was the authentic tone and content of the music. At about the same time, and for all the same reasons, industrial music started becoming popular in Vancouver, B.C.. While the historical phenomenon and its motivations was similar, the music kids gravitated to was very different on either side of the frontier. Canadian industrial music is nothing like earthy, stripped-down, folk-inspired grunge music. It was inspired by the European EBM and house music, exemplified by Front 242, Kraftwerk and Cabaret Voltaire.
Industrial music was a later import to the United States, though it always had a limited appeal, and American industrial artists were always pretty honest about where they got their ideas.
Skinny Puppy and Front Line Assembly still exist, and their founders still make music, despite being considerably older than I am. (At this point, I think they qualify for the senior discounts.) Being that I’m a sentimental fucker, I buy all the new releases. So it was a couple weeks ago, when I bought Front Line Assembly’s new CD, entitled Wake Up The Coma.
So I’m listening to this album today, and trying to make out the lyrics. I realize that the Bill Leeb is singing about all the same sorts of shit that I do, here on this blog.
That can’t be right, I think, this is decadent pop culture garbage…
I always default to the position that I’m reading, listening, or sensing anything through my own ideological lens, so I try not to take things like this too seriously. Even so, the messages on this album are so explicit that I decided to take a few minutes and see if I could type out some lyrics, and run them by you brothers.
Is Bill Leeb a candidate for mayor of V5K 2C2? You tell me.
I feel your face on my skin
Depraved sleeper cell you fit right in
Faceless atomic deviants
Oppressive hysterical obedience
Autonomous swarms
Of secret drones
Skull mined warfare
Erotic zones
I feel your face on my skin
Depraved sleeper cell you fit right in
I feel your face on my skin
Perverted visions and erotic sins
I’m making love to an alien
Who’s not from this world
I’m making love to an alien
I thought you were my girl
In the wake of adversity
We gaze into the sun to see
All of our lifes imperfections
Unrequited love and rejection
The light of fools steers our path
Unseen by all and those who fall
This blackend hole
Which you made for me
Image intelligence
Won’t set us free
I’m living the lie
And I don’t know why
Its easier to pretend
When you know it has to end
This is the end
In the realm of the dying sun
No salvation surveillance begun
A state of hypocrisy
Fuck an alien and you’ll be free
Obsessive, toxic obedience
Lies, lies
Faceless atomic deviants
In the wake of adversity
Fuck an alien and you’ll be free
Living a lie, a lie.
Fuck an alien, and you’ll be free…
What did he mean by this?
If Bill Leeb is based and redpilled on the wimminz question, how did he get that way? I have a theory based on the results of a one-second google search.
Around fifteen years ago, Leeb was served divorce papers by his wife, Carylann Loeppky. I don’t know if it’s possible for any legal system to be worse than America’s, but if there is some facet of the divorce process that can be more excessively cruel to men, it’s likely that Canadian wimminz have instituted it in British Columbia. The result: Leeb had to sell a bunch of high-end hardware, to pay off his bitch ex-wife.
I guess I wondered why this guy was still cranking out music when he’s crowning seventy. Ongoing payments to his skank-ho ex are a fair assumption, in context.
About the album, Leeb not only alluded to talking about wimminz, but also taking a Francis Fukuyama-esque take on the historical imperative and technology…
Divorce has pushed this man into questioning not only the nature of contemporary gender roles, but also the more general questions (atomization, degeneracy, reification) we all discuss here on a regular basis.
In the end, I find mirth in the fact that hundreds of stupid, pink-haired Canadian wimminz are going to be stomping and dancing in their thigh-highs to this tune, all summer long.
Wake Up The Coma is available from Metropolis Records. Buy it if you like it. Leeb’s ex-wife will thank you.